I wrote about some of the things I learned from @choochoobot’s development (and popularity) for Source for its annual #botweek. It’s a little strange writing about programming projects, because I still feel very inexperienced, but I think there are some easy lessons to pull out here.
To my tremendous honor, Sarah’s Motherboard article about instilling ethics in Twitter bots quotes me in a few places. In particular, it recounts a story I hadn’t told publicly about a bot I didn’t make.
It’s a goofy idea: After a few happy-hour drinks on Thursday, I decided to write a little Python script to make emoji “trains” of random length, combining the steam engine with the two styles of rail cars. Once I got that running, I remembered reading about Emma Winston’s “Tiny Gallery” bot, which tweets little scenes of generative emoji “art galleries.”
A few media outlets reported last summer that the NYPD, in its continuing efforts to crack down on the sometimes-annoying costumed characters in Times Square, had asked Disney and Marvel to initiate copyright action there. Disney and Marvel didn’t bite. I requested the communications (or records thereof) under New York’s Freedom of Information Law, and got told — months later — there were no such records. Strange.
I’m happy to say I’ve fixed the most frequent complaint I’ve gotten about @pomological: the images, while great, are overwhelmingly in the portrait orientation, making the preview images on many Twitter clients—and especially Twitter.com—kind of lousy.
Here’s a supercut of all the mentions of the word “data” in last week’s Supreme Court Oral Arguments in Evenwel v. Abbott, a case addressing the question of whether the “one-person, one-vote” principle of the Equal Protection Clause allows states to use total population data instead of voter population data in apportioning legislative districts.
Sometimes I wish I could use Twitter as a different account, and read all the conversations and references that result from the unique list of accounts a person has chosen to follow (sometimes over the course of years!) There’s no “use Twitter as @x” mode yet, so the next best thing is to create a list of all the accounts somebody follows. The public view of that list is, roughly, that person’s main timeline. This came in handy recently as I was trying to follow a basketball game, because I don’t yet follow the kinds of people who make insightful comments about basketball games.1
You could argue it’s like a DIY version of Twitter Moments, where you trust the curation done by an individual user is better than the algorithm, but I won’t be the one making that argument. ↩