I’ve been attending (and livetweeting) the Oracle v. Google jury trial for the last two weeks, and have had a lot of conversations and made a lot of jokes about it. One joke that went surprisingly well was an image I made and tweeted without context:
In fact, the picture got enough retweets and replies that I decided to make stickers. And t-shirts. And each of those things have gotten more attention than I expected. It’s been really exciting! I don’t have a distribution plan for the stickers besides handing them out in person (and self-addressed stamped envelopes to me at EFF), but there will be more than 300 t-shirts out there in the world. That blows my Alice & Bob design out of the water.
All this for being a pretty esoteric design. For one thing, the API reimplementation issue being litigated in Oracle is pretty arcane. For another, it relies on an anti-piracy reference that’s a decade-plus old at this point.
The shirts will be donezo Monday evening—if anybody wants to print their own, here are the high-res source files you can send to a printer or put on a screen yourself. (The first one is white on transparent, so you have to change the background to see it.) I’d love to see your take on it!
I spent Friday and Saturday at Shift CTRL, a great academic conference in Stanford. There was a little more free time to explore the campus than on previous times I’ve been down there, because I had a bike and was by myself. Fortunately, I got tips to visit the cactus garden and the Stone River sculpture, both of which I recommend very highly as quiet, beautiful, contemplative spaces. Some pictures below.
I wrote about some of the things I learned from @choochoobot’s development (and popularity) for Source for its annual #botweek. It’s a little strange writing about programming projects, because I still feel very inexperienced, but I think there are some easy lessons to pull out here.
People do not behave rationally around emoji. A large and growing group of people love them more than anybody should love a font, and a small and shrinking set of people think they signal the end of polite interpersonal communication. In any case, that split has fueled the reaction to this bot, and it’s something to keep in mind: when crafting the “tone” of your tweets, you can choose to make them fun, and make people like seeing them.
Much more where that came from over at Source, and I’m hoping to do more @choochoobot work this weekend.
To my tremendous honor, Sarah’s Motherboard article about instilling ethics in Twitter bots quotes me in a few places. In particular, it recounts a story I hadn’t told publicly about a bot I didn’t make.
Recently, Higgins hoped to make an iterator bot out of turn-of-the-century popular music that had been digitized by the New York Public Library. But quite a lot of the scanned sheet music was, to say the least, extremely racist. So he scrapped the whole idea. “It was acceptable at the time, but that’s not what I would want my bot to say,” said Higgins. Loosely paraphrasing Darius Kazemi, he said, “My bot is not me, and should not be read as me. But it’s something that I’m responsible for. It’s sort of like a child in that way—you don’t want to see your child misbehave.”
The whole article is great, and the other botmakers she included are each an inspiration. Go read it!
It’s a goofy idea: After a few happy-hour drinks on Thursday, I decided to write a little Python script to make emoji “trains” of random length, combining the steam engine with the two styles of rail cars. Once I got that running, I remembered reading about Emma Winston’s “Tiny Gallery” bot, which tweets little scenes of generative emoji “art galleries.”
In fact, there’s a whole “tiny universe” of bots that tweet emoji scenes—most prominently, Katie Rose Pipkin’s amazing “tiny star fields”. But as far as I could tell, none of them have trains. So I set to work putting my trains into some tiny landscapes, and quickly got something together.
Friday morning I “launched” the bot, by tweeting about it from my own account. I’m not sure what reaction I expected, but it wasn’t this one: over the course of the next 24 hours, over a thousand people followed it. By 10 tweets in or so, it had surpassed @pomological as my most popular bot. Over the weekend it climbed to 1,600 followers and it seems to still be on the rise.
Best of all though, I’m getting nice feedback from people speaking all different languages. That’s something I don’t usually get when I’m writing, but of course these “scenes”—if you can even call them that—are equally intelligible in any language. It feels really great to know that people around the world like this thing.
The source code is online, and I’ll write up more of a how-to soon. More excitingly, I want to keep developing out the possibilities here. Even out of the idea phase, it’s still a goofy project, but it’s a fun canvas to explore some more elaborate ideas.