Bike Rac-Man
For some reason I’ve never been able to not see this.
Read more →For some reason I’ve never been able to not see this.
Read more →Eric King recently posted a link to London’s Oyster Card FAQ page explaining Transport for London’s policy on requests for information from police — it rejects 5-10% of requests for providing insufficient information.
Read more →This post is cross-posted from the EFF Deeplinks blog.
Read more →I can’t believe six months has already passed, but I realized the other day that I’ve been running Iron Blogger SF for half a year now. A lot has happened: we’ve added a bunch of members and lost a few, too. We’ve had great meetups, gotten to know each other a bit better, and with a convention of the Global Iron Blogger Council this month,1 we’ve even expanded the rules to establish reciprocity for members of different global chapters. Very nice.
Read more →Two articles that crossed my desk today described the difference between the two kinds of hackers. Howard Rheingold offered this distinction in his memoir of the WELL:
Read more →I’m not much for drawing, but I’m working on a set of minimalist representations of San Francisco icons for a project right now. I’ll post more about that project later. For now, here’s my rough take on the Golden Gate Bridge.
Read more →My written one-to-one communication patterns can be grouped into three major categories: longform, synchronous shortform, and asynchronous shortform. For the most part I use email, IMs, and SMS, respectively, for those purposes.
Read more →Bruce Schneier has a great cautionary quote about technology and its tendency to be subverted:
Read more →It can be hard to point a finger at exactly what is so offensive about the way the copyright lobby pushes its agenda. The rhetoric is sometimes charged, but I don’t think the problem lies in the moral foundation of intellectual monopolies (although some people certainly object to them on ethical grounds). I also don’t think it’s a fundamental business problem. Some have argued that nobody cares about content creators’ fixed costs, and that their fixation on that number is misguided, but I think that premise falls apart a bit at the margins: when fans feel a connection to a creator, they do care about her fixed costs, and want to help her make the record or book or film.
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